Realized works at Studio PANaroma
Composers in alphabetical order:
ABDALLA, Sergio
10 minutos (2011)
Realization: March / September 2011.
Number of channels: 8.
Timing: 10'.
Uma Variedade do Lixo (2011)
Realization: September / October 2011.
Number of channels: 8.
Timing: 8'37".
Sem fundo: improvisação de que gostei sobre sons de que acabei gostando (2012-13)
Realization: 2012 until May 2013.
Number of channels: 8.
Timing: 15'.
ALVESKOG, George
Zero (2011)
Realization: 2011.
Number of channels: 8.
Timing: 7'.
AYER, Mauricio
Répétitions – drama sonoro (2000)
Realization: January 2000 / November 2000.
Musical Assistant: Ignacio de Campos.
Number of channels: 2.
Timing: 7'58".
Voices: Cristina Freire and Rubens Teixeira.
Text: Chuva Oblíqua - poemas interseccionados de Fernando Pessoa.
BANDEIRA, André
Zíperes Gordos (2011)
Realization: May 2011.
Number of channels: 4.
Timing: 10'17".
feedtheradioback! (2012)
Realization: September / December 2012.
Number of channels: 8.
Timing: 11'56".
BARROS, Caio
Vierter Satz (2009-10)
Realization: 2009 / 2010.
Number of channels: 4.
Timing: 4'.
Le feu sans oiseaux (2010)
Guitar and electronics.
Realization: February / November 2010.
Number of channels: 4.
Timing: 11'56".
BERGAMO, Pietro
(Yuugata)
Realization: August 2006 / March 2007.
Number of channels: 2.
Timing: 9'55".
BUENO, Marco Paulo Blasques
Obra Eletroacústica 1 (2007-08).
Realization: 2007-08.
Number of channels: 2.
Timing: 12’.
BYINGTON, Carlos Eduardo
Pax Era (2009-10).
Realization: 2009 / February 2010.
Number of channels: 4.
Timing: 7’34".
CAMPOS, Ignacio de
Sonans (1995-96)
Realization: 1995 / April 1996.
Musical Assistant: Alexandre Siqueira.
Number of channels: 2.
Timing: 8’44”.
EXPASSVM (1997)
Realization: 1997.
Number of channels: 2.
Timing: 11’13”.
Motus Animi (1999)
Prepared guitar and electroacoustic sounds.
Realization: 1999.
Number of channels: 4.
Timing: 9’26”.
TEXTVM (2000-01)
Realization: January 2000 / January 2001.
Number of channels: 2.
Timing: 12’54”.
First Prize and Public Prize of Concurso FUNARTE de Composição,
Categoria Música Eletroacústica, Rio de Janeiro, October 2001.
Deposuit... (2000-01)
Realization: July 2000 / April 2001.
Number of channels: 2.
Timing: 14’48”.
Cortejo para Rosenbloom (2001)
Realization: September 2001.
Number of channels: 2.
Timing: 1’.
CARDOSO, Aldo
Point, ligne et plan sur le temps (2002-03)
Realization: agosto 2002 / February 2003.
Number of channels: 2.
Timing: 7’34”.
Paisagens Sintéticas (2003)
Realization: January/June 2003.
Number of channels: 2.
Timing: 8’29”.
Histórias Ocultas ou Metamúsica? (2006)
Realization: 2. semester 2006.
Number of channels: 2.
Timing: 6’56”.
CINTRA, Celso
Nuages (1996-97)
Realization: December 1996 / September 1997.
Musical Assistant: Alexandre Siqueira.
Number of channels: 4.
Timing: 5’35”.
CORADINI, Leandro
Sqrings (2002-03)
Realization: 2002/2003.
Number of channels: 2.
Timing: 9’49”.
CORTEZ, Ari
Entropia (2008-09)
Realization: 2008-09.
Number of channels: 4.
Timing: 6’45".
DAVINO, Guilherme
Abertura Francesa (2013)
Realization: February / December 2013.
Number of channels: 4.
Timing: 9’27".
DENUZZO, Washington
A Árvore Seca de Seth (2006-07)
Realization: 2006/2007.
Number of channels: 4.
Timing: 13'.
A Imagem e o Reino (2007-08)
Realization: 2007/2008.
Number of channels: 4.
Timing: 10'.
FONSECA, Rodrigo
Dissolution (2000)
Realization: February / November 2000.
Musical Assistant: Ignacio de Campos
Number of channels: 2
Timing: 8'54".
FERRAZ, Silvio et alii
Campos de Pássaros – Messiaen Revisitado (1994)
11 performers, 2 tapes and live-electronics.
Realization: July 1994.
Musical Assistant: Flo Menezes.
Number of channels: 2 tapes of 2 channels and live-electronics.
Timing: ca. 15'38".
FRIAS, Régis
Siderurgia (2002-03)
Realization: November 2002 / October 2003.
Number of channels: 2.
Timing: 8'04".
GARCEZ, Luciano
Refulgere Urbem (1996-97)
Based on the poem “Cidade” by Augusto de Campos.
Realization: December 1996 / April 1997.
Musical Assistant: Alexandre Siqueira.
Number of channels: 4.
Timing: 6’46”.
GATI, Tiago
O interno distante (2011)
Realization: 2011.
Number of channels: 8.
Timing: 9'37".
GIANELLI, Gustavo
Rêves et Ténèbres (2008)
Realization: March / October 2008.
Number of channels: 4.
Timing: 6'30".
GORODSKI, Fábio
La Prosa dell’Uomo (1995-96)
Realization: 1995 / April 1996.
Musical Assistant: Alexandre Siqueira.
Number of channels: 2.
Timing: 8’09”.
KAFEJIAN, Sergio
Memória e Reverberação (1995-96)
Realization: 1995 / April 1996.
Musical Assistant: Alexandre Siqueira.
Number of channels: 2.
Timing: 7’31”.
Entrevales (1996-97)
Realization: 1996 / 1997.
Musical Assistant: Alexandre Siqueira.
Number of channels: 4.
Timing: 9'52" (4 channels version); 9'47" (2 channels version).
Prix Résidence at Concours Internacional de Musique Électroacoustique
de Bourges 1998, France.
Descanto (1998-99)
French horn and electroacoustic sounds (4 channels).
Realization: 1998 / 1999.
Number of channels: 4.
Timing: 13'13".
Interioração (1999-2000)
Co-realization of GMEB de Bourges (France) and Studio PANaroma.
Realization: September 1999 / April 2000.
Number of channels: 2.
Timing: 10'14".
LACERDA, Victor Moura
Chrysopoeia (2008)
Realization: March / October 2008.
Number of channels: 4.
Timing: 9'02".
Incunabulum de Hydriotaphia (2009)
3 doublebasses and electroacoustic sounds (4 channels).
Realization: 2009.
Number of channels: 4.
Timing: ca. 9'.
MENEZES, Flo
Parcours de l'Entité (1994)
3 flutes, metal percussion (2 musicians) and electroacoustic sounds (2 channels).
Co-realization of CSC (Centro di Sonologia Computazionale) of Padua (Italy)
and Studio PANaroma.
Realization: February / March 1994; 1991 (at CSC of Padua for the Music V
sounds).
First realization of the Studio PANaroma (before the official opening of the
studio).
Musical Assistant: the composer; Music V: Andrea Provaglio.
Number of channels: 2.
Timing: 15'41".
Prix Ars Electronica 1995, Linz, Austria.
et al.: Campos de Pássaros – Messiaen Revisitado
(1994)
11 performers, 2 tapes and live-electronics.
Realization: July 1994.
Number of channels: 2 tapes of 2 channels and live-electronics.
Timing: ca. 15'38".
Words in Transgress (1986-87; version of 1995)
Realization: January 1995; 1986-87 (at Studio für elektronische Musik,
Cologne, Germany).
Musical Assistant: the composer; in Cologne, 1987: Marcel Schmidt.
Number of channels: 2.
Timing: 12'33".
A Viagem sobre os Grãos (1993; version 1996)
2 percussion players (ca. 70 instruments) and electroacoustic sounds (2 channels).
Realization: February 1996.
Number of channels: 2.
Timing: 13'50".
First Prize in the Category for Mixed Works of the Concorso Internazionale
di Musica Elettroacustica "Luigi Russolo" 1996, Varese, Italy.
TransFormantes III (1997)
Vibraphone and live-electronics.
Realization: April / May 1997.
Timing: ca. 6'26".
ATLAS FOLISIPELIS (1996-97)
in two versions:
1) Oboe, oboe d’amore, English horn (1 oboist), membrane percussion
(2 perc.), quadraphonic electroacoustic sounds and live-electronics ad libitum
(= definitive version);
2) Membrane percussion (2 percussion players) and octophonic electroacoustic
sounds.
Realization: May 1996 / September 1997.
Commisioned by the Instituto Itaú Cultural of São Paulo.
Number of channels: 4 (definitive version).
Timing: 23'47".
Finalist work at the Concours International de Musique Électroacoustique
de Bourges 1999, France.
Sinfonias (1997-98)
Co-realization of IRCAM (Paris) and Studio PANaroma.
Realization: October 1997 / April 1998.
Number of channels: 8.
Timing: 13'33".
Phantom-Wortquelle; Words in Transgress (1986-87;
revision of 1998)
Realization: 1986-87 (at Studio für elektronische Musik, Cologne, Germany).
Revision: December 1998 (Studio PANaroma).
Musical Assistant: the composer; in Cologne (1986-87): Marcel Schmidt.
Number of channels: 4.
Timing: 23'33".
Pulsares (1998-2000)
1 pianist (piano, prepared piano and harpsichord), chamber orchestra, quadraphonic
electroacoustic sounds and live-electronics.
Realization: December 1998 / July 2000.
Number of channels: 4.
Timing: 29'02".
Harmonia das Esferas (2000)
Acousmatic octophonic version of Pulsares.
Realization: March / July 2000. Revision: November 2000.
Number of channels: 8.
Timing: 34'26".
Colores (Phila: In Praesentia)
an Electroacoustic Requiem in Memoriam of Philadelpho Menezes (2000)
1 clarinetist (clarinet in B and bass clarinet in B), 1 percussion player,
quadraphonic electroacoustic sounds and live-electronics.
Realization: August / September 2000.
Number of channels: 4.
Timing: ca. 18'36".
Prêmio Cultural Sergio Motta 2002, São Paulo.
Diapason d’Or for its first CD recording, september 2006.
Stream from Outer Space (2001)
Realization: April 2001.
Composed for the project "La Création du Monde" do GMEB,
Bourges, France.
Number of channels: 4 or 2.
Timing: 6'.
L'Itinéraire des Résonances (2001)
1 flutist (flute in G and piccolo in C), 2 percussion players, quadraphonic
electroacoustic sounds and live-electronics.
Realization: January / July 2001.
Commissioned by Fondation Nestlé (Switzerland) for Verena Bosshart
and for Duo Contexto (Eduardo Leandro and Ricardo Bologna).
Number of channels: 4.
Timing: 16'31".
Mahler in Transgress (2002-03)
Two pianos and live-electronics.
Realization: July 2002 / April 2003.
Number of channels: 4.
Timing: ca. 53'.
labORAtorio (1991; 1995; 2003)
an Electroacoustic Oratorium for soprano, 5 voiced choir, large orchestra,
quadraphonic electroacoustic sounds and live-electronics.
Realization: 2003.
Number of channels: 4.
Timing: ca. 53'.
Bolsa Vitae de Artes 2003.
O Livro do Ver(e)dito (2004)
Realization: March / April 2004.
Number of channels: 8.
Commisioned by GRM (Groupe de Recherches Musicales, Paris) for the Acousmonium
loudspeaker orchestra and by the Forschungskolleg der Universität zu
Köln (Cologne).
Timing: 22'29”.
Todos os Cantos (2004-05)
Realization: December 2004 / February 2005 (at Klanglabor of the Kunsthochschule
für Medien Köln, Cologne, Germany).
Commissioned by KHM (Kunsthochschule für Medien Köln).
Number of channels: 8.
Timing: 15'08".
Quaderno (2005)
Marimba and live-electronics.
Version for guitar and live-electronics: 2007.
Realization: May / June 2005.
Number of channels: 4.
Timing: ca. 14'30".
La Novità del Suono (2006)
Chamber orchestra and live-electronics.
Realization: February / March 2006.
Commissioned by the EOC (Ensemble Orchestral Contemporain) of Lyon.
Number of channels: 4.
Timing: ca. 23'.
Giga-Hertz-Preis 2007 (ZKM / Experimentalstudio Freiburg), Germany.
Crase (2005-06)
Large orchestra and live-electronics.
Realization: March 2005 / October 2006.
Commissioned by OSESP (Orquestra Sinfônica do Estado de São Paulo).
Number of channels of the electroacoustic sounds: 6.
Timing: ca. 24’.
Selva Illuminata (2006)
Realization: November / December 2006.
Number of channels: 8.
Timing: 13'26”.
Traces (2007)
String quartet and live-electronics.
Realization: February / May 2007.
Commissioned by the Festival Música Nova of São Paulo for the
Arditti String Quartett.
Number of channels: 4.
Timing: ca. 14'30”.
Motus in Fine Velocior –
in memoriam Stockhausen (2008)
Realization: March / June 2008.
Number of channels: 8.
Timing: 13'.
O Farfalhar das Folhas (2010)
One flutist, one clarinetist, violin, violoncello, piano and live-electronics.
Realization: February / April 2010.
Commissioned by MISO MUSIC Portugal for the Sond'Ar-Te Electric Ensemble of Lisbon.
Number of channels: 8.
Timing: ca. 13'.
S(c)enario (2011-12)
Six percussion players and and live-electronics.
Realization: October 2011 / March 2012.
Commissioned by Les Percussions de Strasbourg for its 50 years.
Number of channels: 8.
Timing: ca. 23'.
TransSriptio (2013)
Violin and live-electronics.
Realization: January / February 2013.
Number of channels: 8.
Timing: ca. 20'.
Contrafacta (2013)
Brass quintet and live-electronics.
Realization: March / April 2013.
Number of channels: 8.
Timing: ca. 13'.
Simultrans (2009-13)
Realization: 2009 / June 2013.
Number of channels: 16.
Timing: 21'.
MESQUITA, Marcos
De Barro é Feito João, and Sopro (1994)
6 performers and electroacoustic sounds (2 channels).
Realization: April / June 1994.
Musical Assistant: Flo Menezes.
Number of channels: 2.
Timing: ca. 7'20".
OLIVEIRA, Alexandre de Faria
Reflexos sobre um Mar de Cristal (2010-11)
Realization: 2010 / 2011.
Number of channels: 4.
Timing: 6'.
Visões do Fim do Mundo: Parte 1 – "Patmos"; Parte 2 – "Das Wort"; Parte 3 – "Visões"; Parte 4 – "Profecia/Ritual" (2011-12)
Realization: 2011 / 2012.
Number of channels: 4.
Timing: 32'40".
OLIVEIRA, Ariel
A Construção Fantástica (2011-12)
Realization: 2011 / 2012.
Number of channels: 4.
Timing: 6'24".
Verso (2012-13)
Realization: 2012 / 2013.
Number of channels: 4.
Timing: 7'25".
PANTALEONI, Marcos
Hialofonia (2004)
Realization: April / October 2004.
Number of channels: 4.
Timing: 11'.
PETRINI, Carlos
Absconditum Mentis (2009-10)
Realization: July 2009 / March 2010.
Number of channels: 4.
Timing: 7'55".
RIBEIRO, Antonio
Violens Ironiae (1996-97)
Acoustic guitar and electroacoustic sounds (4 channels).
Realization: August 1996 / November 1997.
Musical Assistant: Alexandre Siqueira.
Number of channels: 4.
Timing: 8'06".
RINALDI, Arthur
Wandering Thoughts (2003-04)
Realization: October 2003 / May 2004.
Number of channels: 2.
Timing: 9'30".
RIZZO, Júlio de
Ad finitum (2011-12)
Realization: 2011 / 2011.
Number of channels: 4.
Timing: 8'12".
ROSSETTI, Danilo
Glaciares (2008)
Realization: April / October 2008.
Number of channels: 4.
Timing: 10'19".
Metropolis (2009)
Realization: 2009.
Part 1: acousmatics.
Number of channels: 4.
Timing: 7'15".
Part 2: piano, string quartet and electroacoustic sounds.
Number of channels: 4.
Timing: 7'23".
SCUCUGLIA, Fábio
Cinzelação (2008-09)
Realization: July 2008 / January 2009.
Number of channels: 4.
Timing: 8'20".
TADEU, Edson
Motetus et Motetus (2005-06)
Realization: August 2005 / November 2006.
Number of channels: 2.
Timing: 6’46”.
TAVEIRA, Fábio
2 (2000-01)
Realization: April 2000 / April 2001.
Musical Assistant: Ignacio de Campos.
Number of channels: 4.
Timing: 12’.
Second Prize at Concurso FUNARTE de Composição, Categoria Música
Eletroacústica, Rio de Janeiro, October 2001.
TELES, Júlia
Espasmo (2011)
Realization: August / November 2011.
Number of channels: 4.
Timing: 6’10”.
electroacoustic sounds and video
Realization: 2012.
Number of channels: 2.
Timing: 4’20”.
VALENTE, Rodolfo
Desencanto (2006-07)
Realization: 2006 / 2007.
Number of channels: 4.
Timing: 9'12”.
Turé Tendencioso (2007-08)
Realization: 2007 / 2008.
Number of channels: 4.
Timing: 7'22”.
Espectro Jasmim (20012)
Realization: 2012.
Number of channels: 8.
Timing: 11'23”.
VARGAS, Lucas
Pulsos (1999-2001)
Realization: April 1999 / March 2001.
Musical Assistant: Ignacio de Campos.
Number of channels: 4.
Timing: 12’09”.
Blind Accordionist (2001)
Acordeon and stereophonic electroacoustic sounds.
Realization: March / November 2001.
Musical Assistant: Ignacio de Campos.
Number of channels: 2.
Timing: 8’08”.
VILLANI-CÔRTES, Edmundo
Divertimento 94 (1994)
7 performers and electroacoustic sounds (2 channels).
Realization: June 1994.
Musical Assistant: Flo Menezes.
Number of channels: 2.
Timing: 5'42".
VISOCKIS, Fernando
Shinkansen (2011)
Realization: May / December 2011.
Number of channels: 4.
Timing: 8’02”.
XAVIER, Ricardo
Transfixed Migration (1997-98)
Realization: September 1997 / July 1998.
Musical Assistant: Ignacio de Campos.
Number of channels: 4.
Timing: 13'19".
ZAMPRONHA, Edson
Modelagem V (1995-96)
Realization: 1995 / January 1996.
Musical Assistant: Alexandre Siqueira.
Number of channels: 2.
Timing: 7'07".
ZUBEN, Paulo von
Labirintos Circulares (1997-98)
Realization: August 1997 / October 1998.
Musical Assistant: Ignacio de Campos.
Number of channels: 4.
Timing: 8'27".
O Jardim de Hai Feng (2000)
Piano and electroacoustic sounds (4 channels).
Realization: March 1999 / December 2000.
Musical Assistant: Ignacio de Campos.
Number of channels: 4.
Timing: ca. 10'22".
Collective Works
Campos de Pássaros – Messiaen Revisitado (1994)
Collective composition realized at the Festival de Inverno de Campos do Jordão
1994, directed by Flo MENEZES and Silvio FERRAZ, for 11 performers, 2 tapes
and live-electronics.
Realization: July 1994.
Musical Assistant: Flo Menezes.
Number of channels: 2 tapes of 2 channels and live-electronics.
Timing: ca. 15'38".
O Itinerário da Ressonância (1997-98)
in six movements:
I = Maria Cristina BREILH (2’36”)
II = Roberto BRAGA (5’46”)
III = Celso GELMAN (2’52”)
IV = Carlos RANOYA (3’17”)
V/VI = Paulo von ZUBEN / Daniel BARREIRO (5’03”)
Realization: August 1997 / February 1998.
Musical Assistant: Alexandre Siqueira.
Number of channels: 2.
Timing: 19’46”.
O Tempo da Espiral (2000)
Collective composition for electroacoustic sounds (10 channels), flute, violin,
guitar, piano and percussion ensemble.
Composers: Ignacio de CAMPOS, Rael GIMENES,
Sergio KAFEJIAN and Paulo von ZUBEN.
Realization: July / September 2000.
Musical Assistant: Ignacio de Campos.
Number of channels: 10.
Timing: ca. 42'42".
Minutos de Música Eletroacústica (2001)
in six movements:
I = "Anacruse e Consequência" by Felipe GOLDFARB
II = " Apóstrofe" by Gustavo MURRAY
III = "Cortejo para Rosembloom" by Ignacio de CAMPOS
IV = "Demo" by Bruno RUVIARO
V = "Impulso" by Maurício CAETANO
VI = "Respiração" by Henrique MELLO
Realization: 2001.
Musical Assistant: Ignacio de Campos.
Number of channels: 2.
Timing: 6’.