List of Compositions by Flo Menezes
[wp = world première]
From 2000 on...
O Farfalhar das Folhas 2010
One flutist, one clarinetist, violin, violoncello, piano and live-electronics.
Based on a poem ("O Inserto") by Philadelpho Menezes (1960-2000).
Commissioned by MISO MUSIC Portugal for the Sond'Ar-Te Electric Ensemble of Lisbon.
ca. 18'
wp: 3 July 2010, Teatro Municipal São Luiz, Lisbon, Festas de Lisboa Festival; and 6 July 2010, Mercer's Hall, London, City of London Festival, Sond'Ar-Te Electric Ensemble conducted by Jean-Sébastien Béreau; Flo Menezes, Paula Azguime and André Perrotta (electronics).
Download the world première in London (with the Sond'Ar-Te Electric Ensemble conducted by Jean-Sébastien Béreau) (24,7 MB) 
Pan-cada(s)
– Textural and Rhythmic Study for Percussion Ensemble 2009
8 percussionists (34 membranes, large tam-tam and 8 small instruments) and conductor.
Commissioned by PIAP – Percussion Ensemble of São Paulo State University (Unesp).
ca. 13'
wp: 6 November 2009, Teatro Rondon Pacheco, Uberlândia (MG, Brazil); Encontro Latino-Americano de Percussão, PIAP Ensemble conducted by Leonardo Labrada.
Download a full recording played by the PIAP ensemble conducted by Leonardo Labrada (18 MB)
Download the full score of this work as PDF-file (2,1 MB) 
Retrato Falado das Paixões 2007-2008
Choir (32 voices) and live-electronics.
Realization: SWR Experimentalstudio für akustische Kunst, Freiburg.
Commissioned by the Experimentalstudio of Freiburg for the SWR Vokalensemble Stuttgart.
ca. 34'
Motus in Fine Velocior
– In Memoriam Stockhausen 2008
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: Studio PANaroma (Unesp).
13'
wp: 21 August 2008, SESC Vila Mariana, São Paulo; VII BIMESP
2008.
Download the stereo reduction (14,9 MB)
Traces 2007
String quartet and live-electronics.
Realization: Studio PANaroma (Unesp).
Commissioned by the Festival Música Nova of São Paulo for the Arditti String Quartet.
ca. 14'30”
wp: 13 September 2007, SESC Vila Mariana, São Paulo; 42. Festival Música Nova, Arditti String Quartet and Flo Menezes (electronics).
Download the world première (with the Arditti Quartet) (19 MB)
Download the full score of this work as PDF-file (9,4 MB)
Selva Illuminata 2006
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: Studio PANaroma (Unesp).
13'26”
wp: 28 March 2007, SESC Vila Mariana, São Paulo.
Download the stereo reduction (15,4 MB)
Crase 2005-2006
Large orchestra and live-electronics.
Realization: Studio PANaroma (Unesp).
Commissioned by OSESP (Orquestra Sinfônica do Estado de São Paulo).
ca. 24'
wp: 13, 14 and 15 December 2007, Sala São Paulo, São Paulo; OSESP, conducted by Victor Hugo Toro and Flo Menezes (electronics).
Score Edition: OSESP (Orquestra Sinfônica do Estado de São Paulo)
Download the world première (with the OSESP) (31,2 MB)
Excerpt of the score
La Novità del Suono 2006
Chamber orchestra and live-electronics.
Realization: Studio PANaroma (Unesp).
Commissioned by the EOC (Ensemble Orchestral Contemporain) of Lyon.
ca. 23'
wp: 13 August 2006, Auditório Ibirapuera, São Paulo; 41. Festival Música Nova, EOC (Ensemble Orchestral Contemporain) conducted by Daniel Kawka and Flo Menezes (electronics).
Giga-Hertz-Preis 2007 (ZKM / Experimentalstudio Freiburg), Germany.
Download the world première (with the EOC) (26,9 MB)
Download the full score of this work as PDF-file (8,1 MB)
Quaderno 2005
Marimba and live-electronics.
Version for guitar and live-electronics: 2007.
Realization: Studio PANaroma (Unesp).
Commissioned by Duo Contexto (Eduardo Leandro and Ricardo Bologna).
ca. 14'30"
wp: 16 June 2006, SESC Vila Mariana, São Paulo; VI BIMESP
2006, Ricardo Bologna (marimba) and Flo Menezes (electronics).
Download the world première (marimba version) played by Ricardo Bologna (18,6 MB)
Download the full score of this work (marimba version) as PDF-file (584 KB)
Download a full recording of the guitar version played by Daniel Murray (16,9 MB)
Download the full score of this work (acoustic guitar version) as PDF-file (584 KB)
Todos os Cantos 2004-2005
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: Klanglabor – Kunsthochschule für Medien/Köln.
Commissioned by KHM (Kunsthochschule für Medien/Köln, Cologne).
15'08"
wp: 7 June 2005, SESC Vila Mariana, São Paulo.
Selected work at the "V Festival Internacional de Música Electroacústica de Santiago de Chile, Ai-maako 2005”.
Download the stereo reduction (17,3 MB)
O Livro do Ver(e)dito 2004
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: Studio PANaroma.
Commisioned by GRM (Groupe de Recherches Musicales, Paris) for the Acousmonium loudspeaker orchestra and by the Forschungskolleg der Universität zu Köln (Cologne).
22'29"
wp: 8 October 2004, Aula der Universität zu Köln, Cologne; Audiovisionen 2004, Acousmonium-Konzert.
Download the stereo reduction (25,7 MB)
labORAtorio
– an Electroacoustic Oratorium 1991; 1995; 2003
Soprano, 5 voiced choir, large orchestra, electroacoustic sounds (4 channels) and live-electronics.
Realization: Studio PANaroma (Unesp).
ca. 55’
wp: 31 January and 1 February 2004, Theatro Municipal de São Paulo, São Paulo; Martha Herr (soprano), Coral Paulistano, Orquestra Experimental de Repertório, Mara Campos (choir conductor), Jamil Maluf (orchestra conductor) and Flo Menezes (electronics).
Bolsa Vitae de Artes, São Paulo, 2003.
Musical excerpt played by the Orquestra Experimental de Repertório,
Coral Paulistano and Soprano Martha Herr conducted by Mara
Campos (choir) and Jamil Maluf (orchestra)
Excerpt of the vocal score (Concento 5)
Excerpt of the orchestral score (Textura Orquestral 8)
Download the world première (see above for performers) (59,7 MB)
Mahler in Transgress 2002-2003
2 pianos and live-electronics.
Realization: Studio PANaroma (Unesp).
ca. 53’
wp: 18 and 19 October 2003, La Casa Encendida, Madrid; Alberto Rosado and Vadim Gladkov (pianos), and Flo Menezes (electronics).
Musical excerpt of the world première played by Alberto Rosado and Vadim Gladkov
Musical excerpt of the Brazilian première played by Paulo Álvares and Nahim Marun
Excerpt of the score
Download the world première (with Rosado and Gladkov) (60,7 MB)
L'Itinéraire des Résonances 2001
1 flutist, 2 percussion players, electroacoustic sounds (4 channels) and live-electronics.
Realization: Studio PANaroma (Unesp).
Commissioned by Fondation Nestlé (Switzerland) for Verena
Bosshart and for Duo Contexto (Eduardo Leandro and Ricardo
Bologna).
16'31"
wp: 9 November 2001, Institut Jaques-Dalcroze, Genève; Verena
Bosshart (flutes), Ricardo Bologna and Eduardo Leandro
(percussion), and Flo Menezes (electronics).
Download a full recording played by Verena Bosshart and by the Duo Contexto (19,7 MB)
Download the full score of this work as PDF-file (1,9 MB)
Stream from Outer Space 2001
Electroacoustic sounds (acousmatic piece; based on the final moments of Harmonia
das Esferas; 4 or 2 channels).
Realization: Studio PANaroma (Unesp).
Composed for the project "La Création du Monde"
of the GMEB, Bourges, France.
6'
wp: between 8 and 17 June 2001, Foyer TJC, Bourges; Festival
Synthèse 2001.
Download the stereo reduction (6,9 MB)
Colores (Phila: In Praesentia)
– an Electroacoustic Requiem in Memoriam of Philadelpho Menezes 2000
1 clarinetist (clarinet in B and bass clarinet in B), 1 percussion player, electroacoustic sounds (4 channels) and live-electronics.
Realization: Studio PANaroma (Unesp).
Commisioned by Joaquim Abreu and Paulo Passos.
ca. 18'36"
wp: 27 October 2000, SESC Vila Mariana, São Paulo; III BIMESP 2000, Paulo Passos (clarinets), Joaquim Abreu (percussion) and Flo Menezes (electronics).
Cultural Prize Sergio Motta, São Paulo, 2002.
Diapason d’Or for its first CD recording, september 2006.
Download a full recording played by Paulo Passos and Joaquim Abreu (21,5 MB)
Download the full score of this work as PDF-file (3,3 MB)
Harmonia das Esferas 2000
(Acousmatic version of Pulsares).
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: Studio PANaroma (Unesp).
34'26"
wp: 29 October 2000, SESC Vila Mariana, São Paulo.
Download the stereo reduction (39,4 MB)
Pulsares 1998-2000
1 pianist (piano, prepared piano, resonance piano, ring-modulated piano, virtual piano, harpsichord), chamber orchestra, electroacoustic sounds (4 channels) and live-electronics.
Realization: Studio PANaroma (Unesp).
29'02"
wp: 24 November 2003, Walt Disney Hall (RedCat), Los Angeles; Vicki Ray (piano), New Century Players conducted by David Rosenboom, Mark Trayle and Flo Menezes (electronics).
Download a full recording played by Nahim Marun (piano) and the Percorso Ensemble (33,3 MB)
Download the full score of this work as PDF-file (16,9 MB)
Back to São Paulo (from 1992 to 2000)...
TransFormantes IV 1998
Clarinet in B (entirely incorporated and developed inside Colore).
Commissioned by Guido Arbonelli.
1 minute splitted and lasting 1 hour
wp: 25 May 1999, Teatro Chiesa Sacra Famiglia, Santa Maria, Italy; Guido Arbonelli.
Download a full recording played by Guido Arbonelli (4,2 MB)
Sinfonias 1997-98
Electroacoustic sounds (acousmatic piece; 8 channels).
Realization: IRCAM (Institut de Recherches et Coordination Acoustique/Musique, Paris) and Studio PANaroma (Unesp).
13'33"
wp: 13 October 1998, Salle de Concert Oscar Peterson, Université Concordia, Montreal.
Download the stereo reduction (18,6 MB)
On the other hand... 1997
11 percussion players and 2 conductors.
Commissioned by PIAP (Grupo de Percussão do Instituto de Artes/Unesp, São Paulo).
ca. 10'
wp: 30 October 1997, Sala Cecília Meireles, Rio de Janeiro; XII Bienal de Música Contemporânea, PIAP Ensemble conducted by Eduardo Gianesella and John Boudler.
Download a full recording played by the PIAP Ensemble (11,1 MB)
TransFormantes III 1997
Vibraphone and live-electronics.
Realization: Studio PANaroma (Unesp).
Commissioned by André Juarez.
ca. 6'30"
wp: 17 October 1998, FASM, São Paulo; II BIMESP 1998, André Juarez (vibraphone) and Flo Menezes (electronics).
Musical excerpt played by André Juarez
ATLAS FOLISIPELIS 1996-97
1) 1st version (definitive): oboe, English horn, oboe d'amore, membrane percussion, electroacoustic sounds (4 channels) and live-electronics ad libitum;
2) 2nd version (withdrawn - only for the multimedia happening URBIS): 2 percussion players (membrane percussion) and electroacoustic sounds (8 channels).
Realization: Studio PANaroma (Unesp).
Commisioned by Instituto Cultural Itaú (São Paulo).
ca. 23'47"
wp: 2nd version: 19, 20 and 21 September 1997, Instituto Itaú Cultural, São Paulo; together with video URBIS by Kiko Goifman and Jurandir Müller; Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion) and Flo Menezes (electronics). 1st version: 30 August 1998, Instituto Cultural Itaú, São Paulo; 34. Festival Música Nova, Piet van Bockstal (oboes), Joaquim Abreu and Eduardo Gianesella (percussion), Alê Siqueira, Ignacio de Campos and Flo Menezes (electronics).
Finalist work at the Concours International de Musique Électroacoustique de Bourges 1999, France.
Download a full recording played by Piet van Bockstal (oboe), Eduardo
Gianesella and Joaquim Abreu (percussion) (32,7 MB)
Excerpt of the score (large file: 22,4 MB)
Download the formal structure (in Portuguese) of this work as PDF-file (104 KB)
A Viagem sobre os Grãos 1993-96
2 percussion players and electroacoustic sounds (2 channels).
(Reduced version of A Dialética da Praia).
Realization: Studio PANaroma (Unesp).
Commissioned by the American Composers Orchestra to be first performed
at Carnegie Hall (Weill Recital Hall).
13'50"
wp: 9 April 1996, Carnegie Hall (Weill Recital Hall), New York; Sonidos
de las Américas: Brasil, Duo Diálogos (Joaquim
Abreu and Carlos Tarcha, percussion) and Flo Menezes (electronics).
First Prize in the Category Mixed Electroacoustic Works at the
"Luigi Russolo" International Contest for Electroacoustic Music,
Varese, Italy, 1996.
Download a full recording played by the Duo Diálogos (15,9 MB)
Concenti – Sul Canto e il Bel Parlare 1995-96
5 voices or choir a cappella (incorporated inside labORAtorio).
ca. 7'
TransFormantes II 1995
Clarinet in B and piano.
Commissioned by Fondation Royaumont (Paris).
ca. 9'
wp: only excerpt: 30 September 1995, Fondation Royaumont, France; Uwe Möckel (clarinet) and Klaus Steffes-Holländer (piano). Full première: 3 March 1996, Salle Gothique, Hôtel de Ville, Brussels; Ars Musica 96, Uwe Möckel (clarinet) and Klaus Steffes-Holländer (piano).
Download a full recording played by Paulo Passos (clarinet) and Sara Cohen
(piano) (13 MB)
Words in Transgress 1986-95
(Reduced and revised version of Phantom-Wortquelle; Words in Transgress).
Electroacoustic sounds (acousmatic piece; 2 channels).
Realization: Studio für elektronische Musik (Cologne) and Studio PANaroma (Unesp).
12'33"
wp: 19 June 2005, Centro Cultural Fiesp, São Paulo.
Download the stereo reduction (17,2 MB)
Campos de Pássaros – Messiaen Revisitado 1994
Collective Composition under the Direction of Flo Menezes and Silvio
Ferraz about the work of Olivier Messiaen.
Piano 4 hands, synthesizer, violin, saxiphones, clarinet/bass clarinet, trombone,
trumpet, 4 percussion players, electroacoustic sounds (2 channels) and live-electronics.
Realization: Studio PANaroma (Unesp).
ca. 16'30"
wp: 22 July 1994, Vila Dom Bosco, Campos do Jordão;
25. Festival de Inverno de Campos do Jordão, Paulo Álvares
(piano), Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion),
Grupo Novo Horizonte conducted by Graham Griffiths and Flo
Menezes (electronics).
Parcours de l'Entité 1994
Amplified flutes (flute in C; bass flute in C; alto flute in G), metal percussion and electroacoustic sounds (2 channels).
Realization: Studio PANaroma (Unesp; first realization of the studio) and Centro di Sonologia Computazionale (Padua).
Commissioned by Thierry Miroglio and Isabelle Hureau.
15'41"
Score Edition: FEU (Fundação Editora da Unesp), São Paulo (together with the book by Flo Menezes, Atualidade Estética da Música Eletroacústica).
wp: pre-première: 14 May 1994, Renfrew Ferry, Glasgow; Isabelle Hureau (flutes), Thierry Miroglio (percussion) and Flo Menezes (electronics). Première: 5 June 1994, Palais Jacques Cœur, Bourges; Festival Synthèse 94, Isabelle Hureau (flutes), Thierry Miroglio (percussion) and Flo Menezes (electronics).
Prix Ars Electronica, Linz, Austria, 1995.
Musical excerpt 1 played by Isabelle Hureau and Thierry Miroglio (entrance of this site)
Excerpt of its score
Musical excerpt 2 played by Isabelle Hureau and Thierry Miroglio
Excerpt of its score
Download the full recording, played by Isabelle Hureau and Thierry
Miroglio with the sound diffusion by the composer, of the concert made
together with Luciano Berio in the Salle Olivier Messiaen in Paris with the
Acousmonium of the GRM on 25 February 1997 (18 MB)
Download the full score of this work as PDF-file (21 MB)
Download the stereo electroacoustic sounds for rehearsals (18 MB)
La (Dé)marche sur les Grains 1993
Electroacoustic sounds (acousmatic piece; 2 channels).
(Acousmatic and reduced version of A Dialética da
Praia).
Realization: Studio PANaroma (studio of the composer).
13'50"
wp: 8 April 1994, MAC, São Paulo.
Download this composition in its stereo reduction (15,8 MB)
A Dialética da Praia 1993
2 percussion players (ca. 70 instruments) and electroacoustic sounds (2 channels).
Realization: Studio PANaroma (studio of the composer).
23'05"
Score Edition: FEU (Fundação Editora da Unesp), São Paulo (together with the book by Flo Menezes, Atualidade Estética da Música Eletroacústica).
wp: 18 July 1994, Auditório Cláudio Santoro, Campos do Jordão; 25. Festival de Inverno de Campos do Jordão, Duo Diálogos (Joaquim Abreu and Carlos Tarcha, percussion) and Flo Menezes (electronics).
Download a full recording played by the Duo Diálogos (Joaquim Abreu and
Carlos Tracha) (31,7 MB)
Contesture IV – Monteverdi altrimenti 1990-93
1) Original Version (1990): viola, cello, trumpet (in si b), piano, synthesizer, bass instrument (bass clarinet in B or double basse), 2 tapes (2 channels each) and live electronics;
2) Definitive Version (1992-93): trumpet soloist and ensemble (clarinet/bass clarinet, trombone, piano/synthesizer, sopran saxophone, 2 percussion players and 2 tapes (2 channels)).
Realization: Studio PANaroma (studio of the composer).
ca. 16'10"
wp: 7 August 1993, SESC Vila Nova, São Paulo; 29. Festival Música Nova, Carlos Sulpício (trumpet), Grupo Novo Horizonte conducted by Graham Griffiths and Flo Menezes (electronics).
Download a full recording played by Carlos Sulpício (trumpet soloist)
and the Ensemble Novo Horizonte conducted by Graham Griffiths (22 MB)
European phase (from 1986 to 1991)
Ora... 1991
Large orchestra.
Unfinished.
"La Ricerca Panica di Eco 1991
Electroacoustic sounds (acousmatic piece; 2 channels).
(Acousmatic version of Contesture IV).
Realization: Studio PANaroma (studio of the composer).
9'50"
wp: ca. June 1991, Museo di Arte Moderna di Bologna, Italy.
Download this composition (9,9 MB)
Contesture III – Tempi Reali, Tempo Virtuale 1990
Two pianos and live electronics (incorporated as Coda of Mahler in Transgress).
Realization: Studio für elektronische Musik, Cologne.
ca. 7'
wp: 12 October 1990, Aula der Musikhochschule Köln, Cologne; Aulakonzert Neue Musik XL, Paulo Álvares and Débora Halász (pianos), and Flo Menezes (electronics).
Download a full recording played by Paulo Álvares (playback production) (8,8 MB)
Kontexturen II – Schachspiegel 1989-90
Electroacoustic sounds (acousmatic piece; 3 channels) and slides about a historical chess game
and works by Regina Johas.
Realization: Studio für elektronische Musik, Cologne.
9'50"
wp: 29 January 1990, Aula der Musikhochschule Köln, Cologne;
Aulakonzert Neue Musik XXXVII.
Download this composition (10,6 MB)
Vertikale Augenblicke in Wien 1989
Trumpet (in B) and bass clarinet (in B).
ca. 7'
wp: 28 March 1990, Aula der Musikhochschule Köln, Cologne; Thibaud
Robinne (trumpet) and Diego Montes (bass clarinet).
Contextures I (Hommage à Berio) 1988-89
Electroacoustic sounds (acousmatic piece; 4 channels).
Realization: Studio für elektronische Musik, Cologne.
8'20"
wp: from 25 November to 3 December 1989, Pavilhão da Bienal Internacional de São Paulo, São Paulo; during the International Biennial of São Paulo 1989.
Selected work by UNESCO, Paris, 1991.
Download the stereo reduction (9,9 MB)
Profils Écartelés 1988
Piano and electroacoustic sounds (4 channels).
Realization: Studio für elektronische Musik, Cologne.
ca. 15'
wp: 27 April 1989, Aula der Musikhochschule Köln, Cologne; Aulakonzert Neue Musik XXXVI, Paulo Álvares (piano) and Flo Menezes (electronics).
Finalist work at Concours International de Musique Électroacoustique de Bourges 1989, France.
TRIMALCA Prize, Mar del Plata, 1993.
Download of an excert of this composition also at:
http://www.mhs-koeln.de/elektr-studio.html?&lang
Download a full recording played by Paulo Álvares (20,1 MB)
Excerpt of the score
Download the full score of this work as PDF-file (26,1 MB)
PAN: Laceramento della Parola (Omaggio a Trotskji) 1987-88
Electroacoustic sounds (acousmatic piece; 4 channels).
(Acousmatic and autonomous version of the tape of the last movement of PAN for orchestra).
Realization: Studio für elektronische Musik, Cologne.
7'52"
wp: 27 April 1989, Aula der Musikhochschule Köln, Cologne; Aulakonzert Neue Musik XXXVI.
Download the stereo reduction (10,7 MB)
Phantom-Wortquelle; Words in Transgress 1986-87; Revision:
December 1998
Electroacoustic sounds (acousmatic piece) based exclusively on verbal sounds (4 channels).
Realization: Studio für elektronische Musik, Cologne.
23'48"
wp: 5 May 1988, Aula der Musikhochschule Köln, Cologne; Aulakonzert
Neue Musik XXXIII.
Download the stereo reduction (32,7 MB)
Early works (from 1977 to 1986)
PAN 1985-86
Large orchestra
(last movement with electroacoustic sounds - 4 channels).
Realization of the tape: Studio für elektronische Musik, Cologne.
ca. 20'
wp: excerpt: only II movement, 15 August 1986, Sala Cidade de São Paulo, São Paulo; Festival Música Nova 86, Orquestra Sinfônica Municipal de São Paulo conducted by Osvaldo Colarusso. Full première: 4 June 2006, Theatro Municipal de São Paulo, São Paulo; Orquestra Sinfônica Municipal de São Paulo conducted by Pedro Amaral and Flo Menezes (electronics).
Download the world première with the Orquestra Municipal de São Paulo
conducted by Pedro Amaral (38,4 MB)
Confluências 1985
Collective composition and improvisation.
Ensemble.
ca. 14'
wp: 2 July 1985, Teatro Cultura Artística, São Paulo,
Grupo Collecta de Música Coletiva Contemporânea conducted
by Flo Menezes.
Quarteto para o Advento de Novos Tempos 1985
Based on a poem by Philadelpho Menezes after Baudelaire (“Grafasias”,
1983).
Tenor, viola, bass trombone and synthesizer.
ca. 8'
wp: 2 July 1985, Teatro Cultura Artística, São Paulo,
members of the Grupo Collecta de Música Coletiva Contemporânea
conducted by Flo Menezes.
In Memoriam Berg-Bartók 1985
Collective composition and improvisation based on the works of both composers.
Two voices, viola, trombone, two pianos and synthesizer.
ca. 16'
wp: 18 May 1985, Anfiteatro da USP, São Paulo; III Semana
da Composição of USP; Grupo Collecta de Música Coletiva
Contemporânea conducted by Flo Menezes.
Da Contradição ao Antagonismo 1985
Two trombones (tenor and bass).
ca. 7'
wp: 18 May 1985, Anfiteatro da USP, São Paulo; III Semana
da Composição of USP; João Paulo M. Basile (tenor trombone)
and Donizeti Fonseca (bass trombone).
Pretexturas sobre Todas as Flores da Fala 1984
Soprano, clarinet and bass clarinet (or cello), with 3 optative narrators.
ca. 7'
Apologia dos Arquétipos 1984
Contrabass and piano.
ca. 10'
wp: 24 August 1985, Teatro Municipal Brás Cubas, Santos; XXI Festival
de Música Nova; Marco Antônio Brucoli (contrabass) and Amílcar
Zani (piano).
Micro-Macro – Liedforma de Amor a REG 1983
Three micro-trios constituting a macro-trio (piano, violin and viola; French
horn, marimba and membranes (percussion); oboe, clarinet and vibraphone).
Commissioned by the Music Department of USP (University of São Paulo).
ca. 10'
wp: 9 November 1983, MASP, São Paulo, music professors of
USP.
TransFormantes (I) 1983
String orchestra with piano.
ca. 20'
wp: 28 June 1984, Anfiteatro da USP, São Paulo, Paulo Álvares
(piano) and OSUSP (Orquestra Sinfônica da USP) conducted by Ronaldo
Bologna.
Tudo é relativo neste mundo onde nada mais que a mudança
existe de permanente (Trotsky) 1982-83
Piano, viola, flute, trumpet, tenor trombone, vibraphone, xylophone and Glockenspiel.
ca. 10'
Crises 1982
Cello and piano.
ca. 8'
wp: 11 March 1983, Anfiteatro da USP, São Paulo; I Semana
da Composição of USP; Zygmunt Kubala (cello) and Paulo Álvares
(piano).
Variações a Berg 1982
Viola solo.
ca. 8'
wp: 13 April 1984, Anfiteatro da USP, São Paulo; II Semana
da Composição of USP; Hector Pace (viola).
Bagatela Expressiva – Meditação sobre
a Segunda Bagatela Op 9 de Webern 1982
Piano, viola, flute, vibraphone and temple-blocks.
ca. 8'
wp: 28 July 1982, Conservatório Nacional de Música da Guatemala,
Guatemala, ensemble of the Conservatório Nacional conducted
by Jorge Sarmientos Hijo.
Omni-Direcional 1981
Two pianos.
ca. 5'
wp: 8 March 1983; I Semana da Composição of USP; Rosana Civile
and Dante Pignatari (pianos).
Contágio (Adagietto) 1981
Four flutes.
ca. 7'
wp: 11 March 1983; I Semana da Composição of USP; flute quartet
of the Semana da Composição of USP.
Perpetuum Mobile (Estudo da Coincidência entre dois Focos
Auditivos) 1980
Two pianos (in two versions).
ca. 8'
Manifesto de um Partir 1980
Three voices (definitive vocal version).
ca. 6'
wp: 10 March 1983; I Semana da Composição of USP; vocal trio
of the I Semana da Composição of USP.
Focalizações sobre uma Série 1980
Prepared piano.
ca. 8'
wp: 27 August 1983; Teatro Municipal Brás Cubas, Santos; XIX Festival
de Música Nova; Terão Chebl (piano).
Download the full score of this work as PDF-file (428 KB)
Manifesto de um Partir 1980
Prepared pianos, voices and percussion instruments.
ca. 25'
Marcha Nupcial 1979
Piano and tam-tam.
ca. 1'
Hamletiano 1978
Tenor, alt, bassoon and piano.
ca. 7'
Ciclo de Canções 1977
Based on poems by Rainer Maria Rilke.
Voice and piano.
ca. 10'
Transcriptions
Adagietto 2004
Transcription of the Adagietto of the Fifth
Symphony by Gustav Mahler for piano.
Download the full score of this transcription as PDF-file (1,8 MB)
Andante Comodo 2002
First movement of the Ninth Symphony by Gustav Mahler
transcribed for two pianos.
wp: 20 August 2008, SESC Vila Mariana, São Paulo; VII BIMESP
2008; Paulo Álvares and Nahim Marun (pianos).
Musical excerpt of the world première played by Paulo Álvares and Nahim Marun
Download the full score of this transcription as PDF-file (7,2 MB)
Studie II 1999
CSound realization of the electronic masterpiece by Karlheinz Stockhausen.
Rondo (Andante Amoroso) 1980-1981
Second movement of the Lyrische Suite by Alban Berg
(originally for string quartet) transcribed for piano.
wp: 11 March 1983, Anfiteatro of USP, São Paulo; I Semana
da Composição, played by Gilberto Tinetti.